When Sleuth made its first appearance on the London stage in February 1970, it saw instant success. Sure, the central story of a down-and-out singer who. Toll Free: (800) 232-6767… Sleuth, Sleuth In the already somewhat ridiculous world of musical comedies (love them though we may, they are undeniably curious creatures), Blake Edwards' 1982 romantic musical farce Victor/Victoria is beyond fascinating and not simply for the reasons that one might expect. Tickets are $25, $12 students.Singer and actress Julie Andrews has long been famed for her perfect pitch and impressive vocal… Andrew Corp, Andrew Corporation The story is fun, but the new additions to the Henry Mancini-Leslie Bricusse score pale in comparison to the remaining film songs, though Frank Wildhorn's ballad "Living in the Shadows" is a little touching.Īs a result the production has a split personality, with some strong performances, spirited dance routines and a few laughs.īook by Blake Edwards, music by Henry Mancini, lyrics by Leslieīricusse. There are no such problems with Ellie Pattison's often glamorous costumes, which range from ragged to glamorous, highlighted by the golden satin of a Louis XVI-inspired musical number.īerkel's choreography has style and flair and is performed well enough that you want it to be a little tighter when dancers tip their hats or kick their legs. It's attractive but working doors are crucial to the cat and mouse game that unfolds. There were problems with doors not fully closing on Michael Gray's two-story hotel/apartment set, which makes good use of the stage space. The rest of the production, staged by Jared Walker and choreographed by Eric Berkel, stirs some laughs, but was not quite ready for Thursday's opening night. Itll be a Valentines night for le jazz hot-ties of all persuasions as Marc Huestis and the Palm Springs Cultural Center presents A VICTOR/VICTORIA. Tim Fitzgerald has a quiet dignity as King's bodyguard. ![]() She gets most of the laughs with her malapropisms, and the lively dance number "Chicago, Illinois," though you can't blame her for the problems with the weak first act song "Paris Makes Me Horny." They are playful together, loving and attentive, and Caswell is fey without being campy and just a comfort on stage.Īly Foster is a gratingly funny bimbo with bleached blond curls as King's girlfriend, Norma. ![]() It's difficult to believe the romantic elements with Ed Stevens as the gangster King Marchand, who is not quite the dashing or dangerous figure that everyone makes him out to be.īut you can find pleasure in Sudduth's relationship with Chris Caswell as Toddy, the gay bon vivant who first suggests the ruse. She has the high notes and a nice middle range, but struggles on the lowest notes. In the title role, Colleen Sudduth moves, acts and seems to breeze through the show with a pleasant feminine swagger as Victor pretends to be as manly as possible. ![]() Fotógrafo: Antonio Villalba, Víctor Carretero y Helios de la Rubia Un gol de Asensio da los tres puntos al Real. If people find out the truth, Victoria's career will end. Victoria ante el Getafe en el Bernabéu 1 - 0 CRÓNICA. She's a woman playing a man pretending to be a woman, who complicates her success by falling in love with a Chicago gangster reluctant to admit he might love a man. The stage musical does little to enhance Blake Edwards' hilarious 1982 movie about a struggling English singer who finally finds success pretending to be female impersonator. The musical "Victor/Victoria" poses a lot of challenges to a theater and the Players Theatre overcomes some of them in a production that impresses on the strength of its two leads. Out-of-work singer Julie Andrews conspires with Robert Preston to pose as a female impersonator in order to get work on the Paris cabaret.
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