![]() The results may at times not be as good as with Mode 0. Mode 1: Similar to Mode 0, but less susceptible to errors.(This mode is susceptible to flange distortion and squeak artefacts.) Mode 0: This mode tends to produce the best results.Now you can start making settings changes to get the best possible noise reduction result for your material.ĭon't worry if two different modes sound exactly the same. The noiseprint you created before should still be there. Go back to "Tools" > "Noise Reduction".Select the entire file by double-clicking it.Click "OK" to close the Noise Reduction window.Click the "Preview" button on the right twice.Ī graphic representation of the noiseprint will appear. ![]() The "Capture noiseprint" checkbox is also located in the Noiseprint tab. Place a check mark next to "Capture noiseprint".A one-second range is normally large enough. The selected range does not need to be as large as the one in the picture. Select a range in the audio material which contains nothing but the noise.Import the audio file containing the noise.The "Noise Reduction Package" contains the "Vinyl Restoration" and "Click and Pop Removal" plug-ins.īoth plug-ins are suitable for restoring vinyl recordings. If your audio material contains different types of noise, you can create a "noiseprint" for each one. crackling on vinyl recordings), use the "Crackle Removal Tool" plug-in instead. It works best when the noise in your material is always present at the same frequency range. Here, Sound Forge 3 is still the current state of affairs, with the exception of the iZotope plug-ins, which have been updated since its release.The "Noise Reduction" feature filters out noise and hiss in audio material. For the Suite version, the subscription costs USD/EUR 26.99 per month with monthly billing. The Pro version is USD/EUR 14.99 per month with annual billing and USD/EUR 17.99 per month with monthly billing. Sound Forge Pro 14 Suite is USD/EUR 599, with an upgrade price of USD/EUR 299.Ī subscription plan is also available. The upgrade from a previous version costs USD/EUR 199. The VariVerb II and Vandal plug-ins round off Sound Forge Pro 14 Suite. Celemony Melodyne Essential is also included, as are the Analogue Modelling and Vintage Effects suites with four mastering and three vintage effect plug-ins, respectively. Buyers of the Suite version also receive Steinberg SpectraLayers Pro 6 and the upgrade to SpectraLayers 7, once it becomes available. On top of what’s included with Sound Forge Pro 14, the Suite version adds 11 coreFX plug-ins. Sound Forge Pro 14 offers ARA2 support and comes with iZotope Ozone Elements and RX 7 Elements. The developer claims that this improves the stability and speed while scanning and using VST plug-ins. No update should come without performance tweaks, and Magix has taken the opportunity to optimize the VST engine, which was newly introduced in Sound Forge 13. Furthermore, the spectroscope offers precise frequency analysis using FFT technology. This makes it easy to spot undesirable frequencies. Another interesting new addition is WaveColor, which improves orientation in projects by colour-coding the sonic characteristics and pitch in the waveform view. Sound Forge Pro 14 has new meters and a new analyzer. In addition to this, Magix has worked on visualization. This menu lets you launch frequently used actions with one right click – quite convenient. Among other things, it includes options for converting and normalizing audio files. There’s also a new contextual menu for many basic editing tasks. With several working areas including Actions, Effects, Mastering, Export and Import, this could be a big time saver. The Instant Action Window gives you immediate access to important tools and many common tasks. As before, the audio editor for Windows comes in two sizes: Sound Forge 14 Pro and Sound Forge 14 Pro Suite. Less than a year after the release of Sound Forge Pro 13, Magix has updated the software once again.
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